Percussion Techniques
A Reference Guide
CONGA
BASS
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
TONE
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
TONE
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
DJEMBE
BONGO
BASS
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
TONE
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
CAJON
TRIANGLE
BASS
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
TONE
Thinking about gravity and dead-weight into the middle of the drum with the middle of the hand. Sometimes it feels like pushing out the middle of my hand to an inverted handshake shape to get the maximum contact with the head on the palm of the hand.
TAMBOURINE
BELLS & BLOCKS
SHAKER
GLOCKENSPIEL
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